When singer-songwriter-producer XTIE was growing up, she had few Asian women producers and songwriters to look up to. Although there were impactful songstresses such as Lady Gaga and Taylor Swift that XTIE admired, none of the above were celebrities who looked like her. While building her own presence in the music industry now, the Hong Kong native hopes to make her mark and become that beacon of hope and representation for future generations. With her unique music and concept, XTIE invites listeners to hop on her spaceship and fly towards warmth and happiness. Shortly after the release of her debut EP, APOLLO-23, APA spoke with the captain herself, discussing her goals, journey, music-making process, and more.
Born and raised in Hong Kong, the singer never originally intended to pursue music, despite her lifelong interest. Instead, she went to school as a social science major and found a job that could financially support her family and herself. During her last year in college, however, XTIE was given the opportunity to study abroad in Glasgow, Scotland, and that’s where she found her calling. “I just joined different producer camps and popped into different studios to see how producers worked, and that’s when I realized there were a lot of things to learn.” Even after deciding to pursue music, the singer still played it safe. “I realized if I want to pursue music, I needed some money, so I’ve been working full time with a day job in the field of art management for like six years. Earlier this year, I finally resigned and fully committed myself to music, and I feel really proud.” Thinking back on the road to where she is now, XTIE believes she isn’t just a singer. “I’m a creative entrepreneur.”
Earlier this year, XTIE performed for her first live audience when she embarked on a short showcase tour in Europe, and that experience is what really solidified her decision to release her EP this year. “Because I started [my career] the year COVID started, I had to wait for a year and a half until I could perform live gigs.” During that time, however, the singer-songwriter was still hard at work, figuring out her artistic identity and signature sound. “This year, I feel like I have enough [in my] repertoire and a clearer picture of how it feels to be onstage, so 2023 is a great year to summarize my three-year journey as an artist. I feel like it’s just good timing.”
Now having her musical concept down, the next step was writing songs and putting together a cohesive EP. XTIE doesn’t have a set order, working on either instrumentals or lyrics first depending on her mood and when inspiration may strike. With her instrumentals, the singer loves using organic sounds, especially when it comes to using water. “When I hear water, I feel very comforted. In our culture, people view water as a very versatile element. It can be liquid and fluid, it can be unmoving and hard like ice, or it can be wispy and light, like water droplets in the air. Sonically, it also just speaks to me.” Nature aside, everyday life and experiences are also great inspirations in her work. Thinking about a recent experience, XTIE admitted that she’s currently constructing a song that was based on her own fangirl moment. “On my UK tour, I watched Maisie Peters’ concert. I actually only discovered her music this year, and I was so lucky that I went to her concert to see her in Brighton. At that time, I was in a very troubling mood, and I just heard a lot of her songs and gained a lot of lyrical ideas after her concert.” XTIE hopes to release the new work in progress before the year ends, but the timeline is not set in stone. “It really depends on where I am, what I’m doing, and what my mentality is like.”
Moving along, the next tracks are “Virgo,” “Skin,” and “#FF,” all songs that are about building her identity and lifting her from the sea of self doubt. “#FF” is a song about confidence and independence, and not needing a toxic man because self-love is most important. Meanwhile, “Skin” is an especially meaningful track for XTIE. Written as a love song about her skin, creating the song helped her embrace her eczema and accept her own flaws. This track leads into “麥田看守員” (Field of Gold), the only non-English song in the EP. The Cantonese song is written as a thank you letter to her team and family that have supported her and rooted for her on her musical journey, and offers an important representation of the singer’s roots for her. “My parents don’t speak a lot of English, so this song is a thank you that they can understand.” The last song on the tracklist is “Cloud 9,” which marks the next phase of the journey — officially being ready for take off.